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Master of Fine Arts in Film Production

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  • Objectives
    The Graduate Film Production program promotes an expanded notion of cinema, encouraging all formats of image support, including film and digital-based media, and forms of exhibition, from traditional single-channel projection to installation. Aesthetic innovation and experimentation across subject and genre – including abstract cinema, documentary, fiction and hybrid forms – are strongly emphasized. Eschewing television production and mainstream dramatic approaches, the program is intensive and participatory, providing a rigorous academic setting where new approaches to the art of cinema are explored and defined. This course of study is ideal for filmmakers committed to the notion of an independent studio art practice. Our graduate students are multidisciplinary artist-researchers working at the vanguard of cinema and new media.
  • Practical experience
    There are internships associated with this program.
  • Academic Title
    Master of Fine Arts in Film Production
  • Course description
    FILM STUDIES
    • 200/3 AA Introduction to Film Studies
    • 211/3 A History of Film to 1959
    • 211/3 AA History of Film to 1959 (French)
    • 211/3 B History of Film to 1959
    • 211/4 C History of Film to 1959
    • 212/3 A Film Aesthetics
    • 212/3 AA Film Aesthetics
    • 212/3 B Film Aesthetics
    • 214/4 AA English-Canadian Film
    • 215/4 A Le cinéma québecois (English)
    • 217/2 A First Nations and Film
    • 311/4 AA Montage Aesthetic
    • 312/2 A Moving Camera Aesthetic
    • 318/2 AA Experimental Film
    • 321/3 A Studies in Film Directors
    • 321/3 AA Studies in Film Directors
    • 322/3 A History of Film Since 1959
    • 323/2 A History of Animated Film (in french)
    • 325/4 A Film Acting
    • 329/2 A Women and Film
    • 332B/4 A Issues in Independent Cinema: Narrative Filmmakers 80s/90s
    • 335Q/2 AA Aspects of National Cinemas: Intro to Irish Film
    • 335S/4 A Aspects of National Cinemas: Chinese Cinema
    • 350F/4 AA Studies in Film Genres: The Horror Film
    • 391/2 A Sexual Representation/Cinema
    • 392/4 AA Queer Cinema I
    • 398Q/2 AA Special Topics in FMST: Theatre and Film
    • 409/4 A Seminar in Women's Cinema since the 1990s
    • 418/4 AA Seminar in English-Canadian Film
    • 421/2 A Seminar: Film Script Analysis
    • 448B/4 A Contemporary Australian Aboriginal Cinema and Painting
    • 450/2 A Specialization Seminar
    • 600/3 A Methods in Film Studies
    • 610F/2 A Topics in Quebec Cinema
    • Special Subject: Drawing Movement: Animate Form in Quebec
    • 620C/4 A Topics in Non-European Cinema
    • Special Subject: Chinese Cinema
    • 650A(850A)/4 A Topics in Experimental Film and Video
    • Special Subject: American Avant-Garde 1943-1970
    • 660E(860E)/4 A Topics in Film Directors
    • Special Subject: Neil Jordan
    • 660H(860H)/2 AA Topics in Film Directors
    • Special Subject: Pier Paolo Pasolini
    • 665E(865E)/2 A Topics in Film Studies
    • Special Subject: Film Script Analysis
    • 665F(865F)/2 AA Topics in Film Studies
    • Special Subject: Temporality in the Cinema
    • 800/3 A Proseminar
    • Martin Lefebvre
    • 803/2 A Seminar in Film and Moving Image Theory
    • 804/4 AA Seminar in Film, Moving Image and Cultural Theory
     
    FILM PRODUCTION
    • 231/3 A Filmmaking I
    • 231/3 B Filmmaking I
    • 231/3 C Filmmaking I
    • 231/3 D Filmmaking I
    • 231/3 E Filmmaking I
    • 332/3 A Filmmaking II (Documentary)
    • 332/3 AA Filmmaking II (Experimental)
    • 332/3 B Filmmaking II (Fiction)
    • 332/3 C Filmmaking II (Narrative)
    • 335/2 A Act & Directing Act for Screen I (English)
    • 336/4 AA Intro to Film Producing
    • 338/2 A Image I
    • 338/2 AA Image I
    • 338/2 B Image I
    • 338/2 C Image I
    • 339/2 A Montage in Filmmaking
    • 339/2 B Montage in Filmmaking
    • 339/2 C Montage in Filmmaking
    • 339/2 D Montage in Filmmaking
    • 340/4 A Sound I
    • 340/4 B Sound I
    • 340/4 C Sound I
    • 3404 D Sound I
    • 341/2 AA Writing for Film I (FR)
    • 341/2 BB Writing for Film I (EN)
    • 350/2 A Ways of Seeing in FMPR
    • 432/3 A Filmmaking III
    • 432/3 B Filmmaking III
    • 435/4 A Act & Directing Act for Screen II (English)
    • 438/2 A Image II
    • 439/4 A Advanced Montage Filmmaking
    • 441/4 AA Writing for Film II
    • 442/4 A Optical Printer Practice
    • 498J/4 A Special Topics in FMPR: Expanded Cinema
    • 498L/4 AA Special Topics in FMPR: Development Stage
    • 610/2 A Film Production I
    • 611/4 A Film Production II
    • 612/2 A Film Production III
    • 613/4 A Film Production IV

    FILM ANIMATION

    • 202/3 A Animation I
    • 202/3 AA Animation I
    • 202/3 B Animation I
    • 224/3 A Analytical Drawing
    • 224/3 AA Analytical Drawing
    • 224/3 B Analytical Drawing
    • 254/3 A Technical Aspects Animated Filmmaking
    • 254/3 AA Technical Aspects Animated Filmmaking
    • 254/3 B Technical Aspects Animated Filmmaking
    • 305/3 A Animation II
    • 306/3 A Animation II 3D Animation
    • 315/3 A From Idea to Storyboard
    • 315/3 B From Idea to Storyboard
    • 319/3 A Character Animation
    • 319/3 B Character Animation
    • 336/4 A Digital Post-Production
    • 352/4 AA Traditional Stop-Motion Animation
    • 354/4 A Digital Technical Aspects 3D
    • 398D/3 A Special Topic in Film Animation: Sound
    • 402/3 A Animation III

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